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PHIL MAGGI
Sheep Tongues Of Mayathan
Conspiracy
COREDIGITAL001

 FORMAT(S):
€6.99

Sheep Tongues of Mayathan is the new creation of Phil Maggi (vocalist for Ultraphallus).
It was composed and performed in april 2009, during an experiment home-studio session, essentially based on drone-noise textures, and only processed with treated voices, throat manipulation and mouth-made industrial drum beats.
The consequence of this work is a 34 minutes album, 6 tracks, mastered by Frederic Alstadt, a specialist sound engineer for low frequencies.



Biography Phil Maggi, member and active vocalist of the hypnotic noise-rock band Ultraphallus, is an extravagant noisicist improviser and a dronist loop-maker composer since 2003. He recorded and worked on a few mini-albums and EP’s -all previously unreleased today- and became the second protagonist of Idiosyncratics Records (first compilation including KK Null, Charlemagne Palestine, Rapoon, Jazkamer, Daniel Menche).

After that he realized his three first solo albums: Initials of Jesus Christ, Lucilia Caesar and Continuum-The Primitive, all released on experimental music labels. Phil Maggi’s debut album, ‘Blue fields in Paramount’, mastered by James Plotkin (Khlyst, Khanate) has been released on 1st of February 2009 on Idiosyncratics Records.

He played and shared the scene with Bruital Orgasm, Yannick Franck, Suma, Hati, Kristus Kut, Batur Sonmez, Jeff Gburek, Metalycee, Robert Curgenven, Habsyll, Hypnoflash, G.S.07 in different places and countries: Liège, Brussels, Gent (Belgium), Maastricht (The Netherlands), Zbazyn, Torun, Bydgoszcz (Poland), Lille, Montpellier, Paris (France), Berlin (Germany), Istanbul (Turkey), Linz, Vienne (Austria)...


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YEAR OF NO LIGHT
Ausserwelt
Conspiracy
CORE089

 FORMAT(S):
€12.50
€15.00
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€15.00

Year of no Light spent most of the last 4 years spreading its enthralling psychedelic warfare to a continually growing audience. Alongside they parted ways with their singer (R.I.P) and recruited two other thirsty mercenaries. Shiran, of über-doom combo “Monarch!”, brings now his chthonian six strings to an already massive cathedral of noise and ambient drone tones. Mathieu, of deviant-electronics act “Aeroflot”, strengthens ritualistic tribal rhythm patterns.

Out of their cave, they secluded into an old theater to record these 4 tracks catching every possible vibration of the trembling frame of this enlivened a new mansion. All the energy collected at that very moment forms “Ausserwelt”, the sophomore album of Year of no Light. Mystical emanations flow out of these riffs colliding into each other to an in ear-splitting shriek. Cranked amps and molested drums hurl their mourning chant as a choir intoning its final psalms at the dawn of the Last Judgment. Year of no Light follows the path opened by “Nord” towards more somber psychedelics, creating its own blend of black metal, sludge, drone or any other influence marked with the seal of darkness.

Still no caps, no core neither stupid modern nihilism but instead an ambiguous electrical network of acting singularities, now ready to afford the collective metaphysical crash to come.
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